Diego Velázquez biography
Diego Velázquez was born in Seville in 1599 and died in Madrid in 1660. When he turned 12, he began as an apprentice at Francisco Pacheco’s workshop, who focused on dark naturalism. At the age of 19 he got married to Juana, who was younger than him. His first works were made during the first half of the 17th century, between 1617 and 1623. During the Sevillian stage, his main teacher was Pacheco, with whom he learned to draw in almost a perfect way and to give an adequate organization to his ideas. He was characterized by his paintings full of realism and light contrasts and his themes were focused on religion. During the years 1623 and 1629, Velázquez dedicated himself to be a camera painter for Philip IV, achieving in this way a more fame and better quality works. In 1628, Diego Velázquez befriended Petrus Paulus and in 1629 he managed to travel to Naples where he studied Renaissance and Italian painting. Before he died, he was named Knight of Santiago, however, because of his Jewish descent, he cannot be recognized. On July 31, 1660, he fell ill with fever and died on August 6, 1660, in Madrid.
Diego Velázquez’s artistic style
At the beginning of his artistic career, his style focused on chiaroscuro, widely using intense light and focused on a particular point. His brush-strokes perfectly shaped the figures and his colors were copper and toasted. His color palette was also based on grays and blacks with opaque brush-strokes for his backgrounds. When he traveled to Italy, his style was transformed by trying new techniques, seeking more luminosity and giving colors with more transparency and precision.
Artworks by Diego Velázquez
- The Old Lady Frying Eggs: This painting was based in old places, including at the same time a large amount of still life. Full of realism in representing the objects, is included within tenebrista genre.
- Bodegón a lo divino: represented a scene that a family lives daily, including Martha, Mary and Christ within her.
- Aguador de Sevilla: It was one of his works with more tenebrismo and realism at the same time, which can easily be appreciated in the painted objects.
- Los Borrachos: Theme based on Bacchus mythology, who was a god. The illumination in the painting makes possible to clearly appreciate the tenebrismo included in it.
- La túnica de José: The artist attempts to represent a purely Christian scene, based on the Old Testament, in which Joseph’s brothers deceive their father by showing him the tunic of his brother, who was apparently dead.
- La Fragua de Vulcano: The painting shows us the moment when Apollo tells Vulcan that his wife had a loving relationship with Mars and was unfaithful to him. Mythological work that shows when an armor was made for the God of war.
- Las Lanzas o la Rendición de Breda: Another marvelous work that relates the war, in which peace is attempted to be magnified since the victors treat the losers with respect and manhood. It reflects the open air of the atmosphere and Breda’s city burning in the background. It clearly shows the two armies, Dutch and Spanish, who on horseback show their strength.
The most important works that Diego Velázquez made at the end of his career were Las hilanderas, in 1644, and Las Meninas, in 1565, which showed the story of a family group with him as the protagonist in the scene.
The Meninas by Diego Velázquez
This work was the pinnacle for Diego Velázquez. It represented the royal family in the painter’s workshop. He made a self-portrait in which he painted the kings, who at the same time were reflected in the mirror. He represented the infanta Margarita, who met her buffoons and her dog. It was catalogued as a painting full of realism, in which the aerial perspective was the main focus.
